Over the last six weeks, another 230 new illustrations have been added to the Traceable Heraldic Art collection.
This steady pace is made possible by the contributors who send in art to share with the community, and so I would like to welcome the newest illustrators to join the project, Forveleth Dunde and Séamus Uí Chonchobhair.
For their ongoing efforts, my thanks also go to returning artists Saewynn aet Cnolle, Owen Tegg, Jessimond of Emerickeskepe, Iago ab Adam, Gunnvôr silfrahárr, Elionora inghean Ui Cheallaigh, and Vémundr Syvursson. Continue reading “April Additions to the Traceable Art”
Thank you to everyone who provided feedback in response to my questions about black-and-white and transparent images for the Traceable clip art library.
I’ve kept the original grayscale files, as some people find them useful, but I’ve now also added a bunch of new file formats, include “outline” files which have only black and transparent pixels, and “B&W” files which have only black, white, and transparent pixels. I hope that these help with the “light gray fill” issue as well as the jagged edges I’ve noticed showing up in raster art due to anti-aliasing and flood fill tolerance settings. Continue reading “New Clip Art Files Posted Without Gray Fills”
I would appreciate input from the Society’s armorial illustration community about how the Traceable Art collection can best address the issues raised in this month’s cover letter item on line art. Continue reading “Addressing Gray Fills and Uneven Line Weights”
It’s been a busy couple of months, with well over two hundred items added to the Traceable Heraldic Art collection since December, bringing the total to more than four thousand items grouped into more than a thousand headings.
A big driver of the recent activity has been the College’s Virtual Heralds Point, which for the first time used online tools to coordination heraldic consultations, art assignments, form preparation, and electronic payment. In addition to processing submissions for hundreds of people, this event also facilitated connections between heralds and artists from all across the known world who might not have ever met in person. Continue reading “Traceable Art for February”
A recurring challenge when illustrating armory that contains complex sable charges is how to handle the internal detailing that is often provided by fine black lines within a charge of any other color, but which disappears when the charge itself is black.
For example, consider the clip art pomegranate shown below. If we color it entirely black, as shown in image 2, the internal detailing disappears and it’s difficult to identify — is this a roundel wearing a crown? One viable approach is to use a dark gray color for the fill, as in image 3, which allows us to still see some details, but sometimes that’s not enough contrast, and there are contexts in which using shades of gray like this isn’t a viable approach. Continue reading “A Technique For Internal Detailing On Sable Clip-Art Charges”
With the end of the year approaching, I figured it was time for a summary of the hundred-plus illustrations added to the Traceable Heraldic Art collection since last month’s update.
I’m pleased to welcome first-time contributor Ajir Tsagaan, who sent in more than a dozen original illustrations, including some lovely birds and a beautiful Corinthian helm. Thanks also to Jessimond of Emerickeskepe, Vémundr Syvursson, Elspeth Farre, Elionora inghen Ui Cheallaigh, and Iago ab Adam, who all continue to create new art on an ongoing basis.
This update features a bunch of new charges found in period armorials including the yarn swift, royne, winde, chamber, and scourge. Using a rare or not-yet-registered charge like these is a great way to stand out with unique armory and simple designs facilitated by the limited number of potential conflicts! Continue reading “Traceable Art for December”
More than a hundred new illustrations have been added to the Traceable Heraldic Art collection over the last two months.
Welcome to newcomers Elspeth Farre, who submitted more than a dozen illustrations of diverse subjects, and Maryan Hoskyns, who sent in an alternate style of chain. Thanks to Grimwulf Harland, who granted permission to share a number of charges from his Sledgehamster collection. And my continuing apprecation to returning contributors Vémundr Syvursson, Iago ab Adam, Jessimond of Emerickeskepe, and Elionora inghen Ui Cheallaigh. Continue reading “Traceable Art for November”
Over the last three weeks, 77 new illustrations of charges have been added to the Traceable Heraldic Art collection.
I’m pleased to welcome newcomers Thora Brandsdottir, Elionora inghen Ui Cheallaigh, and Lily Morgaine, who each sent in illustrations for the first time. Thanks also Jessimond of Emerickeskepe for her continuing contributions of original art, and to Vémundr Syvursson for converting a handful of beasts from the Zurich Roll to vector format. Continue reading “September’s New Traceable Art”
Over the last six weeks, I’ve added one hundred and fifty new images to the Traceable Heraldic Art collection, which now contains over 3,600 pieces of armorial clip art for use by heralds and scribes.
Some of the additions are drawn from period sources, including batches from Stemmario Trivulziano and the Mamluk Emblems Online Corpus, while others are new original art contributed by artists including Ræv Kolfinnsson and Jessimond of Emerickeskepe.
I’ve divided the “Food and Farming” section into two volumes, both to make it easier to find items related to a particular interest and because the software I use to assemble the collection works more efficiently when individual volumes are less than two hundred pages. Continue reading “August Additions to the Traceable Art”
While the Book of Traceable Heraldic Art doesn’t generate any revenue, and all of its contents are available for use without charge, most of the items which were created in recent decades are still subject to copyright, and are distributed subject to certain license terms. Continue reading “DMCA Takedown Notices”