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Traceable Art for November

More than a hundred new illustrations have been added to the Traceable Heraldic Art collection over the last two months.

Welcome to newcomers Elspeth Farre, who submitted more than a dozen illustrations of diverse subjects, and Maryan Hoskyns, who sent in an alternate style of chain. Thanks to Grimwulf Harland, who granted permission to share a number of charges from his Sledgehamster collection. And my continuing apprecation to returning contributors Vémundr Syvursson, Iago ab Adam, Jessimond of Emerickeskepe, and Elionora inghen Ui Cheallaigh. Continue reading “Traceable Art for November”

September’s New Traceable Art

Over the last three weeks, 77 new illustrations of charges have been added to the Traceable Heraldic Art collection.

I’m pleased to welcome newcomers Thora BrandsdottirElionora inghen Ui Cheallaigh, and Lily Morgaine, who each sent in illustrations for the first time. Thanks also Jessimond of Emerickeskepe for her continuing contributions of original art, and to Vémundr Syvursson for converting a handful of beasts from the Zurich Roll to vector format. Continue reading “September’s New Traceable Art”

August Additions to the Traceable Art

Over the last six weeks, I’ve added one hundred and fifty new images to the Traceable Heraldic Art collection, which now contains over 3,600 pieces of armorial clip art for use by heralds and scribes.

Some of the additions are drawn from period sources, including batches from Stemmario Trivulziano and the Mamluk Emblems Online Corpus, while others are new original art contributed by artists including Ræv Kolfinnsson and Jessimond of Emerickeskepe.

I’ve divided the “Food and Farming” section into two volumes, both to make it easier to find items related to a particular interest and because the software I use to assemble the collection works more efficiently when individual volumes are less than two hundred pages. Continue reading “August Additions to the Traceable Art”

DMCA Takedown Notices

Sadly, even material which is freely available online is routinely subject to violations of its license or terms of use.

While the Book of Traceable Heraldic Art doesn’t generate any revenue, and all of its contents are available for use without charge, most of the items which were created in recent decades are still subject to copyright, and are distributed subject to certain license terms. Continue reading “DMCA Takedown Notices”

Traceable Art for June and July

More than one hundred and thirty new images have been added to the Traceable Heraldic Art collection over the last seven weeks.

Thanks to Ræv Kolfinnsson for contributing forty of those charges, including attractive sets of cats, dogs, foxes, and lions, each drawn in a variety of postures. Thanks also to first-time contributors Elizabeth Turner de Carlisle and Jessimond of Emerickeskepe, and to Iago ab Adam for continuing to dig up unique charges from period armorials.

Among the notable new charges this month, see the Archery Target, Ichthyocentaur, Sledge, Solleret, and Strike, as well as the Curule Chair, Domed Oven, and Thunderbolt. Continue reading “Traceable Art for June and July”

May Additions to Traceable Art

Since last month, I’ve added another ninety images to the Traceable Heraldic Art collection.

Thanks to Iago ab Adam for continuing to send attractive line art adapted from period sources, and to new contributor Zubeydah al-Badawiyyah for filling a gap in the collection of cross variations. Continue reading “May Additions to Traceable Art”

Traceable Art Quarantine Update

Over the last forty days or so, I’ve added another two hundred and thirty illustrations to the Traceable Heraldic Art web site.

Thanks to Iago ab Adam and Vémundr Syvursson, both of An Tir, who contributed a number of items to the collection in recent weeks. Master Iago’s adaptations from the Wappenbuch Conrads von Grünenberg are particularly striking, capturing the idiosyncratic character of the original roll while adhering to the clean line-art requirements of our submissions format.

(If you have line-art images you’re willing to share with the community in this way, get in touch! I’d love to have both brand-new charges and new versions of existing charges in different artistic styles.) Continue reading “Traceable Art Quarantine Update”

Using DrawShield for Emblazons

DrawShield is a web service that allows rapid generation of armorial images by either entering a blazon or choosing elements in a point-and-click interface.

It’s an automated system, so the results often aren’t as polished as you can produce by assembling elements yourself, or as unique as the custom work of a talented heraldic artist, but it’s fast and easy, and doesn’t require any tools other than a web browser, so it’s a great option for casual users to try out different possibilities and quickly mock up options for discussion.

Hundreds of charges from the Book of Traceable Heraldic Art have been converted to DrawShield elements, so users of the Traceable collection may recognize some images they encounter there, and DrawShield users can find additional variations of charges here if they wish to further embellish a design they started in that system.

Using GIMP for Emblazons

Jehanette de Provins, Her Majesty the Queen of Northshield, teaches classes on how to create armorial images using GIMP and images from the Book of Traceable Heraldic Art, and recently recorded a session for viewers at home.

GIMP is an open-source software package for pixel-based illustration, in the same vein as Paint and Photoshop. As a Mac user, I find the interface to be a bit clunky, but it’s free, it includes a lot of features, and it runs on a wide variety of operating systems, which makes it a useful tool.

Make sure to turn your volume up to follow the presentation!

#HeraldicLove 2020

Did you know that people in the medieval and renaissance periods sometimes displayed their arms on a heart shape?

For the month of February, the SCA’s #HeraldicLove campaign encouraged people to display their device or populace badge on a heart-shaped field.

In support of this effort, I joined a number of other heraldic artists in creating these images for people both locally and across the Society. Continue reading “#HeraldicLove 2020”